Specifically, I was fine with the downbeat opening tone - it's appropriate, after all; the lead character has come back from the dead and (although she died triumphantly) I believe her resurrection here is a metaphor for a person who's attempted suicide - but that downbeat tone continued for too long - past Willow’s car crash, past Xander’s wedding - dragging the characters and the show down, down, down, further and further into misery, until it finally recovered with a great, 4-part, action movie season finale.
I've just re-watched Season 6 – and had a completely different experience on this viewing.
For me, the downbeat tone stems specifically from Buffy (the character) being passive and not driving any of the plots forward. She’s numb, socially withdrawn and most importantly not very funny. Compare that to episodes from previous seasons – Buffy is at the centre of most stuff, initiating conversations, deciding how things happen – she’s the charismatic sun at the centre of a solar system of Scoobies [/metaphor]. Changing the characterisation like this gives the show a radically different feel. Even though Buffy’s there, she feels absent ... and as a result the show feels far more subdued.
This leads to my next discovery, that Season 6 feels like a necessary maturation in the series. At this point – the characters did need to grow up and start confronting life in all its setbacks and ... awesomeness. To do otherwise – to simply keep returning to a status-quo of characters wise-cracking their way through tragi-comedy would’ve been pretty shallow.
So that was a bit of a shock to me – to approve of the goal of Season 6 – a goal that’s explicitly signalled by Giles’ motives for returning to England: To force our leads to stand on their own feet.
And finally, Spike’s characterisation. Yes, he was cool in Season 2, but in order to work with him again, Whedon chose to humanise Spike – first by putting a chip in his head so that he wouldn’t automatically kill the core cast, then by making him fall in love with Buffy so he had a reason to stick around. But underneath all of this, Spike’s still evil, as demonstrated by Season 4’s “The Yoko Factor” and later his manipulative, dysfunctional and predatorial seduction of Buffy when she’s at her weakest.
2 comments:
Infamous Season 6 :) To be truly honest I prefered Season 6 to Season 5 by a quite a way, though I know this runs contrary to popular opinion.
Season 5 was a good solid season but it really felt to me as it was too focused on trying to end what the series had been up to that point. There was a lot of reused concepts and ideas and even though some were absolutely fabulous, the overall feeling made me feel kind of "meh". The momentum was waning. I was considering not watching anymore Buffy after it as I felt like it had done its dash.
Then I watched season 6 and though it didn't have some of the real highs of season 5 and it had some patchy moments, the overall season really brought me back to Buffy. It changed the dynamics of the show in a natural way. It felt as if it was being less self conscious about developing Buffy and yet did so in a more instinctual way. As a result season 6 was great and gave the show a lot of momentum back. I especially like how it allowed the other characters to develop out from under Buffy's shadow.
I am glad to have seen season 6 as it also led me to watch season 7 which I also love dearly, and together 6 and 7 wiped out most of the regrets I had with seasons 4 and 5, and made the 7 season arc seem like one complete story.
This is getting freaky Steve, first the Hulk then Buffy Season 6 :)
The team at Slayers East appreciate the shout-out :-)
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