Less convinced by this episode. Ep 1.6 gripped me because it dealt with the ramifications of a single situation; this one started out looking like it was going to focus heavily on exploring the pros and cons of a vampire-human relationship but it kind of drifted away from that, into a reconnection with (and amping up of) everyone else's subplots.
It also looks like True Blood is moving into that dangerous territory: where it could be less about normal people in a setting with supernatural elements, and more about supernatural people in a supernatural setting.
I don't mind that - in fact there are parts of that (like the possible explanation for Tara's behaviour) that I think could be fun. It just means that the show is starting to remind me of a mature version of the soap opera elements of Buffy, minus the 'Monster of the Week' structure to give episodes a payoff and Joss Whedon's authorial voice.*
* I haven't really detected a distinctive 'voice' to this series yet.
The show's moving faster than I expected though - partly cos' it's meaner to its characters than I expected, and partly because Sookie's telepathy has allowed us to develop a lot of subtext about minor characters within very few episodes.** However, there's also a lack of a compelling over-riding question that's drawing me in to watching the show - the cliffhangers aren't enough for me yet.
** It's a great technique, and one that I'll consider to be extremely lazy if any other show picks up on it.
Great to finally recognise two of the actors though. The guy who plays Detective Andy Belfleur was Frank Sbotka in Season 2 of the Wire, and is almost unrecognisably due to his lighter, goofier body language. And the Iraqi War veteran is played by the same guy who was Zach in Gilmore Girls - again, a very different performance, and one that could assure him a solid career of supporting roles.
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