The purpose of all this reading and thinking is to ID problems. Then choose which ones have to be solved. Some problems aren’t worth it; that temptation to make the script ‘perfect’ – that’s just be a way to avoid finishing. Next, each problem gets a page and I have to come up with 20 solutions for each one.
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At the moment, the action scene I’m imagining for Act 3 feels fantastic (and could simultaneously solve 2 exposition problems).
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